Paris — At the heart of Schiaparelli’s Fall/Winter 2025-26 ready-to-wear presentation, creative director Daniel Roseberry embraced a rugged-elegant duality: the mythos of the American West married with Paris-level couture detailing. The review by WWD described it as a “raw spin on cowboy core”. The Cut called it “a superb collection that had all the brio and wit of his native state combined with the sophistication of a Paris couture house.”
Paris — At the heart of Schiaparelli’s Fall/Winter 2025-26 ready-to-wear presentation, creative director Daniel Roseberry embraced a rugged-elegant duality: the mythos of the American West married with Paris-level couture detailing. The review by WWD described it as a “raw spin on cowboy core”. The Cut called it “a superb collection that had all the brio and wit of his native state combined with the sophistication of a Paris couture house.”
The collection played with structured shoulders, cinched waists, leather textures, and silver-buckled belts. The vibe: modern woman in control — pulling from archive codes but not trapped by them. Central elements included high-waisted dual-material pants, laced sides, and body con silhouettes that referenced the house’s couture heritage but were translated into wearable ready-to-wear.
For you in design and production, Apple, the relevant insights are: 1) mixing a clear motif (western belt buckle, leather fringe) with refined tailoring; 2) heritage house codes (strong shoulders, premium finishes) applied to “real clothes”; 3) minimal accessorising (nude nails, pared down beauty) letting the garment speak. The potential production gem: a leather-trim blazer with western buckle detail, strong shoulder line, or a knit dress with subtle snakeskin texture reference.
Again — full runway show? Probably not for the factory line (unless you’re doing high-end capsule). But the distilled motifs absolutely are — strong leather accents, western belt-inspiration, structural tailoring — done in a scalable way.
Post time: Oct-22-2025